Soloists

 

 

Nathan Meltzer – Violin

May 2018

Youngest ever to win the Windsor Festival International String Competition, seventeen-year-old Nathan Meltzer has played solo violin with the Philharmonia Orchestra, the Orquesta Sinfónica de Concepción, the Indianapolis Symphony Orchestra, the Pittsburgh Symphony Orchestra, and the Adelphi, Bloomington, Charlotte Civic, and Muncie symphonies, among others, performing in Argentina, Austria, Brazil, Canada, Chile, Germany, Israel, the UK, and across the US.  This season Nathan plays with the Orquesta Filarmónica de Medellin, returns to the Adelphi Orchestra and the Evansville Philharmonic, performs with the Omega Ensemble and the Jupiter Symphony Players, and gives recitals in New York, London, and the Walton Gardens in Ischia, Italy.
Currently under general management with Hazard Chase, Nathan studies with Itzhak Perlman and Li Lin at Juilliard Pre-College, where he is a Starling scholar.  He began his music education in a second-grade orchestra class in Vienna, joined the “Violin Virtuosi” at Indiana University in 2011, and entered the Perlman Music Program in 2013.  Nathan has played on NPR’s From the Top, most recently with Mark O’Connor, appeared with The Piano Guys at Carnegie Hall, performed with Gilles Apap, David Chan, and Augustin Hadelich, and taken lessons and masterclasses with Joshua Bell, Pamela Frank, Vadim Gluzman, and Jaime Laredo.

Nathan gratefully acknowledges Juilliard for the generous loan of an 1844 Joannes Pressenda violin.

Andrew Cummings Baritone 

May 2018

Andrew Cummings is a compelling artist consistently praised for his rich, flexible baritone and heart-wrenching expressiveness, as well as his stage presence and dramatic intensity.  Hailed by the Houston Chronicle in his 2013 role debut of Verdi’s Macbeth with Opera in the Heights:  “Andrew Cummings’ Macbeth…brought both hefty voice and formidable presence.  Not only did he sing with power enough to make Verdi’s big moments hit home, but he could also go the opposite way: by reining his voice in to a whisper or a sotto voce cry of terror, he opened a window on the terrors that seize the character’s soul.”   2013 also saw Mr. Cummings’ South American debut in the role of Kurwenal in Wagner’s Tristan und Isolde with the Bogotá Philharmonic Orchestra in Colombia; his Atlanta Opera debut in Puccini’s Tosca as Sciarrone, and as Scarpia for their student matinees and as cover for main stage performances; and his reprise of the role of Germont in Puccini’s La Traviata for which he first received acclaim in 2008: “…Germont was in the skilled hands of Andrew Cummings, whose strong and warm baritone caressed the ear.  His singing of ‘Di Provenza il mar’ was sung with depth and bursts of vocal beauty that…recalled the great baritone Robert Merrill.” [The Brooklyn Eagle, 3/18/08]  Andrew is reprising the roles of Scarpia in Puccini’s Tosca, and the title role in Verdi’s Rigoletto with Central Florida Lyric Opera in 2016.

Mr. Cummings was a featured recitalist in 2014 at the Festival Cultural Alfonso Ortiz Tirado in Alamos, Mexico: “Andrew Cummings hooked the audience through vivid interpretations and a balance between humor and passion… Cummings stood out because of his stage presence and dramatic intensity.” [No Pasa Nada, 1/31/14]  In 2015, he returned to Flint Michigan for a performance of Britten’s War Requiem with the Flint Symphony Orchestra, where he will return for Beethoven’s 9th Symphony in 2017.  Andrew has developed a reputation as a quick study, and was engaged at the last moment in June 2015 by Opera Theater of Pittsburgh to learn and perform the role of The Count in Strauss’ Capriccio:  “Andrew Cummings, as the Count, made the most of the role from both vocal and dramatic standpoints.  He…seemed to have a well-conceived idea of the role, and added to it a light touch and distinction.” [The Pittsburgh Stage Magazine, 7/25/15]

Mr. Cummings made his Carnegie Hall debut in 2010 in the title role of Rigoletto with the New York Lyric Opera.  He has also been a guest artist for the Metropolitan Opera Guild’s Masterly Singing Series, performing selections from Verdi’s Macbeth and Falstaff and Puccini’s Tosca. His 2012 performance as Renato in Un ballo in mascherafor Union Avenue Opera in St. Louis was praised for “…fine singing …, most notably [by]Andrew Cummings, whose powerful baritone as Renato provides this production with its most glorious moments…” [Ladue News, 7/2/12]  Other operatic performances include Conte di Luna in Il trovatore for Opera in the Heights in Houston, the title role in Le nozze di Figaro with OperaDelaware, Ben in The Telephone for Natchez Opera, Mozart’s Figaro at the Kimmel Center in Philadelphia, Amonasro in Aida with New Jersey Association of Verismo Opera, Tonio in I Pagliacci with the Rockland Opera Society, Escamillo in La Tragédie de Carmen with Hubbard Hall Opera Theater, Zurga in Les Pêcheurs de Perles with The Opera Company of Middlebury in Vermont, Il Conte Almaviva in Le nozze di Figaro with Dell’arte Opera Ensemble, and supporting roles for DiCapo Opera Theatre, Lake George Opera, and Metro Lyric Opera of New Jersey.

Acclaimed by The New York Times for his performance in Shaw Sings! with Encompass New Opera Theater at Symphony Space, Mr. Cummings is frequently called upon to perform contemporary music and new works. He joined the Juilliard Opera in 2011 for the American premiere of Kommilitonen! by Sir Peter Maxwell Davies, and in 2013 for performances of Janacek’s The Cunning Little Vixen. He has also been heard in the world premieres of To One in Paradise by Benjamin C. S. Boyle at Merkin Concert Hall, Searching for Kristallnacht by Thomas Cabaniss at the JCC of Manhattan, Gary Papach’s The Last Leaf with the North Czech Philharmonic in the Czech Republic, and Michael Dellaira’s The Secret Agent with The Center for Contemporary Opera at the Kaye Playhouse and at the Armel Opera Festival in Hungary.

On the concert and recital stage, Mr. Cummings has made frequent solo guest appearances. In addition to his 2014 appearances in Alamos, Mexico, orchestral solo performances include Brahms’ Ein deutsches Requiem with the Flint Symphony Orchestra under the baton of Maestro Enrique Diemeck and with the Hudson Valley Philharmonic under the baton of Randall Craig Fleischer, Bach’s St. John’s Passion with Shepherd University in West Virginia, Orff’s Carmina Burana and Mozart’s Requiem with the Camerata New York Orchestra, and Verdi’s Messa da Requiemwith the University of Pennsylvania and Shepherd University.

The past year has been a busy and exciting one for Mr. Cummings with several new role debuts, including Lescaut in Pucinni’s Manon Lescaut, title roles in Mozart’s Don Giovanni and Tchikovski’s Eugene Onegin, and a musical theater / cross-over debut of the title role in Steven Sondheim’s Sweeney Todd with Pittsburgh Festival Opera (formerly known as Pittsburgh Opera Theater). The 2016-17 concert season has included Orff’s Carmina Burana, Handel’s Messiah, Beethoven’s 9th Symphony, and Ralph Vaughan-Williams’ Five Mystical Songs among others.  In 2018, Mr. Cummings will revisit Mendelssohn’s Elijah.

Mr. Cummings received his music education from Temple University in Philadelphia, PA. He resides in New York City with his son, and studies with Arthur Levy.

Keila Wakao –  Violin

September 2018

 Keila Wakao was born in 2006 in Boston, Massachusetts. She began studying the violin at the age of three and developed rapidly, catching the eye and the ear of the late Mr. Joseph Silverstein who accepted Keila as a student at the age of six. She currently studies with Donald Weilerstein, Soovin Kim, Anait Arutunian, Bela Horvath and Keisuke Wakao.

Despite her young age, Keila has proven herself as a serious and competitive violinist. At the age of seven, she won the Forte International Music Competition in New York, followed by a 1st place win at the 8th Yokohama International Music Competition in Japan. Other recent accolades include winner of Waltham Symphony Orchestra Young Artist String Competition, winner of the New England Conservatory Prep Concerto Competition and winner of the New England Philharmonic Young Artist Competition.

Keila has appeared as a soloist with the Metrowest Symphony Orchestra, the Waltham Symphony Orchestra, the Ogaki Chamber Orchestra in Japan, the New England Philharmonic and the NEC Junior Repertoire Orchestra in Boston’s Jordan Hall. Keila was also selected to participate in Julia Fischer‘s violin master class and played at the final concert in Tutzing, Germany. 

She was invited to perform and to speak at TEDx BeaconStreet which was held in November, 2017.Keila will be one of the youngest participants in the Perlman Music Program for the summer of 2018.In her spare time, Keila enjoys swimming, reading, drawing, fashion design, and studying the Japanese language.

 

Randall Goosby – Violin

October 2018


Violinist Randall Mitsuo Goosby (21) made his Carnegie Hall debut at age 13, where he “exerted a masterly level of control and lavished an exquisite tone playing Ysaye’s unaccompanied Sonata No. 3…and his performance won him a deserved standing ovation for its sheer virtuosity” (NY Times Music review).  Randall has appeared as guest soloist with numerous orchestras throughout the United States since winning First Prize at the Annual Sphinx Concerto Competition in 2010, at age 13. The win immediately led to an invitation by Tony- Nominated actor Delroy Lindo, to perform at the 18th Annual MOVIEGUIDE® Faith & Values Awards Gala in Beverly Hills, California. That same year, Randall was invited to appear as part of the New York Philharmonic’s prestigious Young People’s Concert series at Avery Fisher Hall, Lincoln Center. He was invited to play again with the New York Philharmonic in 2011 and in 2012.

Randall began violin studies at age 7, and made his solo orchestral debut with the Jacksonville Symphony Orchestra at age 9.  He attended and performed at the Schlern International Music Festival in Schlern, Italy that same year and, thereafter, attended the Bowdoin International Music Festival (Brunswick, ME) and the Perlman Music Program (Shelter Island, NY).  In 2011, Randall received a full scholarship to attend the Juilliard Pre-College program in New York. Randall currently studies with reigning violin virtuoso, Itzhak Perlman, and Catherine Cho at The Juilliard School, where he is pursuing an undergraduate degree in Violin Performance, and a proud recipient of the prestigious Kovner Fellowship.

Randall has made solo appearances with several major orchestras across the U.S. including the New York Philharmonic, Cleveland Orchestra, Memphis Symphony, Grand Rapids Symphony, New World Symphony, Buffalo Philharmonic, Nashville Symphony, Modesto Symphony, and Arkansas Symphony among others. He has also made two solo appearances at Carnegie Hall’s Stern Auditorium as part of the Sphinx Organization’s Young Artist Development Program. In addition to performing, Randall is passionate about sharing his love for music, and has participated in outreach programs for public schools, children’s hospitals, and music programs across the country.

Randall received Grand Prize honors at the Memphis Youth Symphony Concerto Competition (2008), Germantown Symphony Young Artist Concerto Competition (2009), the Young Artists Concerto Competition at the Conservatory Music in the Mountains in Durango, Colorado (2009) and, at the age of 13, became the youngest First Prize Winner of the Annual Sphinx Concerto Competition. Additionally, he received the prestigious Isaac Stern Award (2011) following his second solo performance at Carnegie Hall, and was featured on National Public Radio’s “From the Top” program (2012), which showcases performances and captivating stories of extraordinary young classical musicians. Randall was also honored as the 2013 Rising Star of the Key West Impromptu Classical Concert Series in Florida, and was honored as a Rising Star of the Stradivari Society in 2015.

Randall plays on a magnificent Giovanni Paolo Maggini (c. 1600) on generous loan from the Stradivari Society of Chicago.

 

Drew Petersen –  Piano

March 2019

Acclaimed 24-year-old American pianist Drew Petersen is a sought-after soloist, recitalist, and chamber musician in the United States, Europe, and Asia. Winner of a 2018 Avery Fisher Career Grant, the 2017 American Pianists Awards and the Christel DeHaan Fellow of the American Pianists Association, and also Artist-In-Residence at the University of Indianapolis, he has been praised for his commanding and poetic performances of repertoire ranging from Bach to Zaimont.

Following a fall 2017 that included Mr. Petersen’s debut with the Tucson Symphony Orchestra, performances with the symphony orchestras of Anderson (IN), Butler (PA), and Carmel (IN), and solo recitals at the Gilmore International Keyboard Festival, University of Indianapolis, and Dame Myra Hess Concerts (Chicago), highlights of the second half of Petersen’s 2017-18 season include his debut with the Milwaukee Symphony Orchestra, and performances with the Adelphi Orchestra (NJ), University of Indianapolis Chamber Orchestra, and Jupiter Symphony Chamber Players (NYC). Following an eight-city US recital tour that includes performances for California’s InConcert Sierra, Indiana’s Purdue University Convocations; New York’s The University Club of New York, Shelter Island Friends of Music and the Parrish Art Museum; and Florida’s Chopin Foundation of the United States and St. Andrews Estates, Mr. Petersen appears at the Cleveland International Piano Competition to give a solo recital. Of note is Mr. Petersen’s Spring 2018 debut album for the Steinway & Sons record label. The CD explores 20th- and 21st-century American piano music and features the monumental piano sonatas of Samuel Barber and Elliott Carter, and the world premiere recording of Judith Lang Zaimont’s suite Attars. Also on the recording are works by Charles Griffes and Charles Ives.

 

Summer 2017 saw Mr. Petersen embark on a six-recital tour of the Czech Republic. Returning to the United States, in Chicago he appeared in recital broadcast on WFMT’s “Impromptus” radio program, performed the featured solo recital at the 2017 National Conference of Keyboard Pedagogy, and was a Fellow of Ravinia’s Steans Music Institute. Past performances include recitals in numerous major halls of New York, as well as abroad at the Verbier Festival (Switzerland), Euro Arts Music Festival (Leipzig), Leeds Clothworkers Hall (UK), Tel Aviv Museum of Art, and IBK Chamber Hall of Seoul Arts Center. Recent concerto highlights include performances with the Indianapolis Symphony Orchestra, Indianapolis Chamber Orchestra, the Hallé Orchestra (UK), Park Avenue Chamber Orchestra (NYC), and New Jersey ensembles Symphony in C, the Westminster Symphonic Choir and Orchestra, and the Ridgewood Symphony.

 

Drew Petersen’s performances are frequently broadcast on radio and television stations across America. He has performed on American Public Radio’s “Performance Today” and is a frequent guest on the McGraw-Hill “Young Artists Showcase,” hosted by Robert Sherman and aired on New York’s WQXR. As a young pianist, Drew was heard on NPR’s radio program “From the Top” featuring the nation’s most gifted young classical musicians, and his unique gifts have been profiled in The New York TimesNew York Magazine, and the documentary “just normal” by award-winning director Kim A. Snyder.  A champion of chamber music, Mr. Petersen has also appeared live on French radio “France Musique,” as a member of a Verbier Festival piano trio in Switzerland.

 

As a collaborator, Mr. Petersen is a perennial guest artist with the Jupiter Symphony Chamber Players in New York City, and frequently appears in recital internationally with acclaimed violinists Bomsori Kim and Itamar Zorman, among others. Under the auspices of the American Pianists Awards in April 2017 he performed Franck’s Piano Quintet with the Pacifica Quartet and a recital of American art songs with baritone Andrew Garland.

 

Mr. Petersen’s firm belief in the importance of music in contemporary global society led him to collaborations with Young Audiences NY presenting performances in NYC Public Schools. His appearance in Andrew Solomon’s New York Times’ bestselling book, Far From the Tree, sparked a nation-wide conversation on raising extraordinary, different children who test the willpower and capabilities of their families and society. Mr. Petersen continually advocates for the necessity of classical music and other arts in society, and was named a 2006 Davidson Fellow for his portfolio entitled “Keeping Classical Music Alive.”

 

Recipient of numerous honors and awards, at age 21 Drew Petersen won 4th prize in the 2015 Leeds International Piano Competition, and is the 2016 winner of the Sanders-Juilliard-Tel Aviv Museum Prize. He is a laureate of the Hilton Head International Piano Competition, Kosciuszko Foundation Chopin Piano Competition, NY Fryderyk Chopin Piano Competition, and the Friday Woodmere Piano Competition. Mr. Petersen first began his career path at the age of five, when he was presented at Carnegie’s Weill Recital Hall, and following a few years later at age nine with a solo recital at Steinway Hall in Manhattan for Steinway & Sons’ 150th Anniversary.

 

Drew Petersen is currently a candidate in the Artist Diploma program at the Juilliard School, studying under Robert McDonald. He received his Master’s degree from Juilliard as a proud recipient of the prestigious Kovner Fellowship, and was awarded Juilliard’s Arthur Rubinstein Music Prize upon graduation. He also holds a Bachelor’s Degree from Harvard University.

Bryan Cheng – Cello

May 2019


Winner of the 2017 Canada Council for the Arts Michael Measures Prize, 20-year-old Canadian cellist Bryan Cheng has attracted widespread attention for his natural, virtuosic command of the cello and his mature, impassioned musicianship. He made his orchestral debut at age 10 with the I Musici de Montreal Chamber Orchestra; since then, he has been soloist with Canada’s National Arts Centre Orchestra, Niagara Symphony Orchestra, Esprit Orchestra, Nouvelle Génération Chamber Orchestra, and Germany’s Südwestdeutsches Kammerorchester Pforzheim, among others. In summer of 2017, he toured as soloist with the National Youth Orchestra of Canada in 12 cities across the country.
Since his New York recital debut at Carnegie Hall’s Weill Hall at age 14, Mr. Cheng has performed in world-class concert halls including Montréal’s Maison Symphonique, Toronto’s Koerner Hall, Edmonton’s Winspear Centre, Aspen’s Harris Hall, Shanghai’s Poly Grand Theatre, and at international music festivals including Trasimeno, Aspen, Ottawa Chamberfest, and Festival of the Sound. He is 1st-prize winner of the National Arts Centre Bursary Competition, 2nd-prize winner of the OSM Manulife Competition, one of CBC’s “30 hot Canadian classical musicians under 30” and a CBC Young Artist of the Year. His debut album Violoncelle français (2016) on German label audite received worldwide acclaim, and his sophomore album Violonchelo del fuego will be released in June 2018. As the cellist of Cheng2 Duo, he has presented multiple recital tours, visiting over 30 cities across Canada and 13 cities in China.
Over the years, Mr. Cheng has accumulated a concert repertoire spanning five centuries, and is equally committed to both traditional masterworks and the music of his time. Mr. Cheng has commissioned and given over half a dozen world premieres in North America, including the world premiere of two pieces by Canadian composer Alexina Louie at his second Carnegie Hall recital; the North American premiere of a cello concerto by British-Russian composer Gabriel Prokofiev (grandson of Sergei) at Koerner Hall with the Esprit Orchestra; and most recently, the world premiere of a multimedia project featuring five new Canadian works by composers from all regions of the country at the National Gallery of Canada.
2017-2018 highlights include his solo debut with the Niagara Symphony, recitals at renowned chamber music series in Los Angeles, Toronto, Montreal, Ottawa, Halifax, Winnipeg, and Berlin; a 16-city tour in Ontario and Québec with Jeunesses Musicales Canada; and a two-week tour across British Columbia.
Mr. Cheng is currently pursuing his Bachelor’s degree at the Universität der Künste (University of the Arts) in Berlin in the studio of Jens Peter Maintz. He plays a rare 1754 Venetian cello by Bartolomeo Tassini.